The Manlove Family

(Pictures coming soon!)

 

At this point in his 18 months of life, Kai Manlove is “id personified” said his father. Although Kai’s current thoughts are trained on recognizing shapes and numbers and possibly finding a puppy to play and tumble with, his parents, Josh, 35 and Angela, 34, are doing their best to ensure that Kai grows up with a firm understanding of his ABC’s, 123’s, and the importance of being grounded in his multiracial identity.

“We are raising him as a thoughtful, caring, human being [who] understands all of his cultural heritages,” Angela said.
That includes not only carefully choosing books that expose him to different kinds of families and subjects that reflect the racial, gendered, and class diversity in the United States. But also thinking carefully through how they want to teach Kai to navigate society as a multi-racial man.
“People dismiss the dangers that are there for Men of Color,” Angela said.

She and Josh are not wrong to worry for their son’s safety. The Huffington Post reported that more than 258 black people had been killed by police in 2016, using a database maintained by British newspaper, The Guardian. The Mapping Police Violence website writes that unarmed black people were killed at 5x’s the rate of unarmed white people in 2015.
A wave of grass-roots activism has energized Black people and their allies, leading to peaceful protests, workshops on how to document miscarriages of justice on mobile devices, and increased public commentary on how to alleviate anti-Black violence. Angela and Josh realize, however, that racially inclusive activism also has resulted in vocal opposition that is tinged with the threat of physical violence.
“Black people are really feeling themselves right now and that scares a lot of people,” Josh said, noting the rise in racially antagonistic speech since U.S. President Donald Trump began to gain popularity as a presidential candidate in 2015. “I wouldn’t be surprised if it got better and worse simultaneously.”
Josh and Angela’s concerns about a deteriorating racial climate may seem overly worrisome to those who claim Kai is two decades from entering manhood, but as People of Color who grew up in predominantly white Indiana, Josh and Angela realize the racial problems people were convinced would be alleviated by the time they were adults still have not abated.
Both Angela and Josh understand firsthand how feeling like one belongs, racially, can have positive effects on one’s emotional well-being. As a light-skinned black woman in Indianapolis, Angela was often mistaken for being mixed race and received differential treatment from whites and Blacks who couldn’t ascertain her racial background. The son of a Filipino mother and a white father, and a member of a large extended family with at least 20 cousins, many of whom are mixed race, Josh is confident he can walk Kai through his experience of “being between two worlds” but acknowledges that it will be different for his son.
“One of the fears that I have is that I can’t teach him how to be a black man,” Josh said. “I know what it’s like to be a Man of Color but the Black experience is so specific and unique, especially right now and I don’t see it changing. I can’t learn [how] to teach him about that.”

 

Growing up in her grandfather’s Baptist church, Angela’s church family has been integral in helping her creating a strong sense of self. Now she and Josh, who was raised Catholic, are searching for a multiracial church that can provide both a spiritual education and vibrant social community. Starting at a new church for all of them would allow the family to grow into a faith community together.
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“We want Kai to have the experience of church but both of us have evolved since we started looking for it,” Angela said.
Part of that evolution has been in becoming vocal advocates for Kai to express his racial identity without fear of being dehumanized and erased altogether.

Both Angela and Josh recount feeling uncomfortable with family and friends who focus on their son’s physical beauty as their starting point of interaction with him.

The discomfort becomes even more acute when responses on social media to posts about social justice versus a video of Kai playing with a favorite toy are so starkly different.
“When I post about Black Lives Matter the same people who say who cute [Kai] is—there are crickets when it comes to Black men,” Josh said, noting that it is only a matter of time before his son reaches manhood.
Josh and Angela are united in their approach to raising Kai to recognize himself as composed of equally important parts, and that his racial identity is not a zero-sum game. Yet people often have a tendency to exoticize Kai, something they worried about before he was born.
“Even before Angie was pregnant she used to ask me, ‘What do you think our kids will look like?’” Josh said.
They joked about what would happen if they had “ugly” children and about what the response from family and friends would be because of the pressure—and expectations—to have a “beautiful” mixed race child. Such designations they believe, put Kai’s multi-faceted identity into a box marked “exotic.”
“If you want to say we have a beautiful baby just because he’s mixed I don’t take that as a compliment,” Josh said.
Reducing Kai’s worth to his physical attributes is not only worrisome because it treats him as an object, but also because it creates the potential for others to erase his Black identity.
“There’s a fear of wanting him to feel secure in his multiracialness and of him falling into the trap of using his multiracialness to escape his Blackness,” Josh said.
More than his racial identity, Kai’s parents also want him to recognize his male privilege and how his gender may impact how he navigates society as well as how he’s regarded within it. Teaching him empathy for others is a key part of their effort to create a well-adjusted, emotionally intelligent man who reflects the loving, inquisitive smart boy he is now.
For his part, Kai is mostly unaware of all of the discussion over his upbringing, and is concentrating on story time with mom, napping with his dad, and drawing his next masterpiece on his Magnadoodle.

Jourdan

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Check back in a few for Jourdan’s story!

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Rohan

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There are those people we meet on the road of life, who infuse you with a sense of calm, whose very presence encourages you to slow down, take a breather, and maybe think about a nap.

Rohan Zhou-Lee is not one of those people.

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To be near Zhou-Lee is to be suddenly, unmistakably energized and ready to take on the day, the week, the year, with a level of enthusiasm you thought peaked after your first slow dance in the junior high gymnasium.

Listening to him discuss his career and professional aspirations and his journey to self-love and acceptance, it seems that the key to Zhou-Lee’s energy—and perhaps the key to unlocking our own wellspring of creativity and passion—is his openness to accepting the twists and turns of life.

An accomplished ballet dancer and choreographer, Zhou-Lee, 23, has a degree in enthnomusicology from Northwestern University, in Evanston, IL. He hadn’t, however, planned on either ballet or ethnomusicology as his interests when he left Atlanta for Chicago.

A declared dance major with a focus on modern dance, Zhou-Lee saw a performance of Don Quixote by Chicago’s famed Joffrey Ballet and knew he had found his calling.
He began studying ballet for performance and writing about 20th Century ballet, performance, and gender in his classes.  He credits Chicago for helping him grow intellectually and technically as an artist. Although he always has been proud of his mixed heritage, it was in Chicago that his work began to strongly reference his racial roots.
Growing up, the desire to interrogate race wasn’t as pressing for Zhou-Lee, whose upbringing in racially diverse Atlanta closely matched his own multi-racial heritage; he is Black, Chinese, Cuban, Filipino, Indian, Irish, Native American, and Scottish.

In addition to his father’s business dealings in Asia and his mother’s position as director for international affairs for the city of Atlanta, Zhou-Lee and his older brother Trevor, 25, were longtime participants in Atlanta’s Chinese American Community. Their participation in various cultural events were a way to remain connected to his parents Barbadian, Trinidadian, Tobagan, and Jamaican roots.

Zhou-Lee says that his family’s attention to his Asian and Black heritage came easily and were well incorporated into his everyday life.
“I never drew boundaries as a kid,” he says. “You have a family bubble where you can have Jamaican and Black and Chinese roots.”
That doesn’t mean, however, that there weren’t uncomfortable encounters relating to his racial heritage. In middle school, Zhou-Lee remembers being aware of his existence as “the only spot of brown in all the white,” and recognizing the differences between his outward appearance and that of his family’s.

“They’re obviously Black and Asian,” he says of how his all of his immediate and much of his extended family look upon first glance. Zhou-Lee’s darker skin tone and curly hair, coupled with what he says is a cultural perception among some in the Caribbean community that lighter skin tone and straight hair is more beautiful, affected his self-esteem.

He was battling those issues as he transitioned into high school where as a boy with Jamaican heritage, he felt pressed upon to “prove” his Jamaicaness through knowledge and use of Jamaican patois, and the performance of a stereotypical black masculinity. In college, his  claim to his heritage was again challenged by those who believed that skin tone and hair type were more indicative of one’s roots in than genetic makeup.

“For me,” he says, “the biggest challenge was proving I belonged in that [NU Asian American] community.”

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There were other challenges, as well, including his ability to fit in with other black men at NU, whom he said were facing the same pressures every college student feels in relation to school performance, but also dealing with the added pressure of performing a particular type of masculinity tied to race, class, and gender. Performances that Zhou-Lee rejected outright.

As he gained his footing at university, Zhou-Lee joined various Asian American groups on the NU campus that served the Chinese, Filipino, Thai, and Vietnamese communities. He even joined the male pageant, Mr. Pan-Asia against the wishes of some organizers who didn’t see him as furthering the pageant’s goal of debunking stereotypes about Asian American men. Once again, resistance to his participation was tied to his skin color. At one point, he considered not entering the pageant, but changed his mind and ended up winning, becoming the first Blasian man to win Mr. Pan-Asia, in 2013.That experience, like so many others, emboldened him.

“By the end of college I was like, ‘I am an Asian American. I am an Asian and you can judge me however you want,'” he says. “I am proud of being the oddball. All this time I’ve struggled with not being here not there, but I think that’s an opportunity to make your own space. I’ve become more empowered and I belong more to myself now.”

Although he resists others’ attempts to categorize him ethnically—”Currently, I’m just Rohan. I don’t ask you what you are. I don’t need to know and I don’t care.”—his Twitter handle “Afrogaysianatin@” is an attempt to carve out a space that recognizes all of the aspects about him that make him unique.

Rohan’s focus on personality and character rather than race in his professional, personal, and romantic relationships, have led him to create, “a community of personhood and friendship,” where he is both accepted and accepts others for who, not what, they are. Although though some have questioned his choices when he has dated Asian American men, derisively accusing him of having “Yellow Fever,” Zhou-Lee rejects those claims as founded more in a narrow understanding of race and belonging, while also acknowledging their impact on his life.

“I want [my relationship] to be an apolitical relationship, but it will always be interpreted politically. I want to consciously not think about it, but subconsciously, I do,” he says. He notes, however, that his first reaction is inevitably, “Why is this complicated?”

Rather than allow others to determine how he should belong, Zhou-Lee has been determined to reset the boundaries of race that others were using to exclude him. A major part of this quest has been in his celebration of his multiracial heritage.

“There is a social pressure to choose one category,” he says. “I’ve come to the conclusion that I can’t identify one root without ignoring the other.”

As for advice he would give to those who may feel the pressure to choose one aspect of their racial or ethnic heritage over the other, Zhou-Lee encourages others to embrace the feeling of racial liminality and the opportunities it brings for personal and creative advancement.
Learning about his roots, he says, “really empowered me. It gives me a story to tell. It’s fueled my choreography. It’s a story of my history and heritage along with my claiming of space.”

As Zhou-Lee makes abundantly clear, his is a space worthy occupying.

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